Scheherazade at Dawn
The garden cat saunters through the brush
having captured the dark-eyed junco. Birdsong
continues, leaf-scent drifts in. I cherish
these mornings. Mornings like afternoons
when I get to carry the world’s sadness—
a little coin—everywhere I go, turning
the piece over and over, concealed
in my pocket, just to hold it a moment
longer (a coin is easily lost) before
it must be spent—a treat, a gift, transportation.
Recently I’ve been attempting to channel
the voice of Scheherazade at dawn
for a poem; what it was she said to the King.
I keep asking myself how she did it but
I don’t know if I mean: share a bed with a man
like that, or find a love for him somewhere, or
manage each night to unfold vital
fiction from within vital, potent fiction.
Like the King I too can’t seem to discern
how much of love is performance. How much
of gesture is ephemera. How much is real
flesh, Real. I too, dislike it:
this question of Self and Other—reconciling.
Last night I almost broke the vow of chastity
I didn’t make, straddling this girl in her twin bed,
sharing cautious, level kisses. My failure was not
knowing if it was her mouth too closed or mine
too open. Too eager to consume? & if passion
is as perishing as the world? In class
the professor speaks of the deliciousness in taking
on persona; shifting out of oneself and into
another consciousness—tangible, separate.
When the poet professor calls my name
I say "Does this please your high pleasure?" Her gaze
is unbreaking, serene, fatal. (My desire acts
as another means of passing judgment, of
fortifying the jetty that keeps a distance, keeps
a fantasy traversing the mind’s wide water.)
This was Shahriyar’s dilemma: give the woman
the occasion to betray or remember that initial,
smooth, impossible figure—remember Night,
when every detail exists, expires, is created not
again but ongoing, inconstant. To write
a poem you must write another. You must
learn you take all your past lovers to bed
with you. "Friend, Beloved, Source
of my Being, help me turn toward
You…" & how I’ll never quit worshiping the vast red
stains on the bed linens; on my vacant, low heart.