Scheherazade at Dawn 

The garden cat saunters through the brush 
having captured the dark-eyed junco. Birdsong 
continues, leaf-scent drifts in. I cherish
these mornings. Mornings like afternoons
when I get to carry the world’s sadness— 
a little coin—everywhere I go, turning 
the piece over and over, concealed 
in my pocket, just to hold it a moment
longer (a coin is easily lost) before 
it must be spent—a treat, a gift, transportation. 

Recently I’ve been attempting to channel
the voice of Scheherazade at dawn
for a poem; what it was she said to the King. 
I keep asking myself how she did it but 
I don’t know if I mean: share a bed with a man 
like that, or find a love for him somewhere, or 
manage each night to unfold vital
fiction from within vital, potent fiction. 

Like the King I too can’t seem to discern 
how much of love is performance. How much 
of gesture is ephemera. How much is real
flesh, Real. I too, dislike it:
this question of Self and Other—reconciling.

Last night I almost broke the vow of chastity
I didn’t make, straddling this girl in her twin bed, 
sharing cautious, level kisses. My failure was not
knowing if it was her mouth too closed or mine
too open. Too eager to consume? & if passion
is as perishing as the world? In class

the professor speaks of the deliciousness in taking 
on persona; shifting out of oneself and into 
another consciousness—tangible, separate. 
When the poet professor calls my name 
I say "Does this please your high pleasure?" Her gaze
is unbreaking, serene, fatal. (My desire acts
as another means of passing judgment, of 
fortifying the jetty that keeps a distance, keeps
a fantasy traversing the mind’s wide water.) 

This was Shahriyar’s dilemma: give the woman 
the occasion to betray or remember that initial,
smooth, impossible figure—remember Night, 
when every detail exists, expires, is created not
again but ongoing, inconstant. To write

a poem you must write another. You must
learn you take all your past lovers to bed
with you. "Friend, Beloved, Source 
of my Being, help me turn toward 
You…" & how I’ll never quit worshiping the vast red 
stains on the bed linens; on my vacant, low heart.